MODÈLE CARAVANE
REFINED, BALANCED & EXPRESSIVE
Inspired by the elegant French instruments of the 1940s and ’50s, the Modèle Caravane blends warm projection with a rounded, articulate voice.
Di Mauro–inspired f-holes, traditional ladder bracing, and a folded pliage soundboard give the instrument its distinctive character — responsive, balanced, and rich with nuance.
A 670 mm scale length and 14-fret body connection provide a familiar feel while preserving the quick attack and effortless playability that define the Caravane.
TIMELESSLY DISTINCT
Inspired by the classic Selmer-Maccaferri instruments of mid-century France, the Modèle Caravane blends articulate projection with warmth and balance.
Elegant f-holes, a responsive European spruce soundboard, and layered back and sides give the instrument its distinctive voice — clear, quick, and expressive.
Designed for comfort and fluid playability, the Caravane responds effortlessly to both melodic lead work and traditional la pompe accompaniment.
MODÈLE CARAVANE
The Modèle Caravane draws inspiration from the elegant French instruments of the mid-century era — refined in appearance, responsive in feel, and unmistakably distinct in voice.
Its Di Mauro–inspired f-holes and ladder-braced soundboard produce a warm, articulate response with quick attack and balanced projection. Clear note separation and controlled dynamics make the Caravane equally suited to melodic lead work and traditional la pompe accompaniment.
A comfortable neck profile, 670 mm scale length, and 14-fret body connection give the instrument a familiar, effortless feel while preserving the immediacy and character that define these classic European designs.
Built with carefully selected tonewoods and finished with restraint, the Modèle Caravane carries the visual elegance of vintage jazz guitars while remaining grounded in modern playability and craftsmanship.
Starting at: $7,500 CAD
Excludes shipping, applicable taxes and insurance.

I love the straight-up jazz purity of your guitars — articulate, balanced, and effortless to play.
JIM HARRIES - PETERBOROUGH, ON
SPECS & DIMENSIONS



Adhesives | Aliphatic resin (Titebond Original) |
Back & Sides | Select tonewoods — Indian Rosewood, Flamed Walnut, Pau Ferro, Flamed Maple |
Binding | Ebony, Maple, or Walnut |
Body Depth | 90.7 mm (neck) → 101.1 mm (tail) |
Body Length | 470 mm (18.5″) |
Bracing | Quarter-sawn Spruce 5-parallel bracing, hand-voiced |
Bridge | Rosewood or Ebonized Rosewood, hand-shaped |
Case | Hardshell case included (upgrade options available) |
End Graft | Inlaid strip with matching purfling |
Fingerboard | Ebony |
Finish | Polyurethane or French Polish; nitrocellulose available by request |
Frets | 21 medium nickel-silver frets (18%) |
Headstock | Slotted headstock with ebony veneer and engraved MW logo |
Liners | Solid |
Lower Bout | 400 mm (15.75″) |
Neck | Honduran Mahogany (standard); Maple, Walnut, or African Mahogany available |
Neck & Reinforcement | Carbon fibre reinforcement |
Neck Joint | 14-fret configuration |
Neck Profile | Traditional flat “D” or modern “C” |
Nut | Bone |
Nut Width | 45 mm |
Overall Length | 1009.5 mm (39.75″) |
Scale Length | 670 mm |
Soundboard | Select Spruce or Cedar (voiced per build) |
Strings | Savarez Argentine 11–46 |
Tailpiece | Dell’Arte DR Selmer-style |
Truss Rod | Dual-action |
Tuners | Schaller GrandTune open-gear (various options available) |
Upper Bout | 289.5 mm (11.38″) |
Waist | 256.6 mm (10.13″) |
Waist | 256.62 mm / 10.125″ |
Width at Body Connect | 57 mm |
Width at Body Joint | 57 mm |
SOUNDBOARD OPTIONS
The soundboard defines the instrument’s response.
Sitka spruce remains the standard — valued for its strength, headroom, and balanced tonal range.
Alternative options, including bearclaw spruce, torrefied spruce, and sinker redwood, offer different characteristics in feel, response, and visual expression.
Selection is made as part of the build — based on the player and the direction of the instrument.
BACK & SIDE OPTIONS
The back and sides influence how the instrument responds and reflects energy.
Indian rosewood remains a standard — valued for its depth, clarity, and strong low-end presence.
Alternatives such as flamed walnut, pau ferro, and flamed maple offer different balances of warmth, brightness, and projection, along with distinct visual character.
Selection is made as part of the build — based on the player and the direction of the instrument.
TAILPIECE OPTIONS
Each Whitney guitar is fitted with a vintage-style Selmer tailpiece, faithful to the original 1930s design.
I use the Dell’Arte DR tailpiece — a well-proven interpretation known for its durability, stability, and tonal contribution. Its heavier brass construction adds a touch of density at the string anchor point, subtly enhancing sustain and overall response.
A traditional detail, executed with purpose.
TUNING MACHINE OPTIONS
Each Whitney guitar is fitted with Schaller GrandTune machines — an open-gear design that pairs vintage character with precise, reliable tuning.
Deliberate in feel, precise in adjustment and built to last, they offer the stability and control expected of a modern instrument, with an aesthetic that remains true to the Selmer tradition.
A range of finishes and button options allows for subtle personalization.
NECK OPTIONS
Neck wood plays a subtle but important role in both feel and response.
I primarily work with Honduran mahogany for its stability, balance, and familiar midrange character. Select alternatives are available, offering slight variations in weight, stiffness, and tonal emphasis.
Each neck is shaped, reinforced, and finished with playability and long-term stability in mind — ensuring a consistent feel across the instrument.
FINISH OPTIONS
Polyurethane and French polish offer two distinct approaches to finishing.
Polyurethane provides a durable, protective finish with excellent clarity — a modern, reliable option that preserves definition while standing up to regular use.
French polish, applied by hand using traditional shellac, creates an exceptionally thin finish that allows the instrument to respond with greater immediacy and warmth, though with less resistance to wear.
One prioritizes resilience and clarity. The other, sensitivity and nuance.
PICKUP OPTIONS
A range of pickup systems is available, each chosen for its ability to translate the character of the instrument.
Options from makers such as Big Tone, Yves Guen, Krivo, and Miller offer distinct approaches — from warm, traditional voicing to more focused, high-output designs suited to modern amplification.
Each offers a different way of carrying the instrument’s voice forward.
Crafted and voiced in my Okanagan workshop, I build steel-string acoustic and gypsy jazz guitars—each shaped, voiced, and finished by hand.
INSTRUMENTS
Acoustic Guitars
Gypsy Jazz Guitars
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© 2026. WHITNEY GUITARS | HANDMADE IN SUMMERLAND, BRITISH COLUMBIA

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